plug (v): intr. U.S. To act in support of; to promote, recommend. With for.

Dear Friends,

I recently(ish) returned from AWP. Last year I had a whole big list of all the books I bought. This year I did not buy so many books, but there were many very cool things worth offering shameless plugs for, some moments worth remembering/noting, and and a few other things I am psyched about. Here’s a running list. NOTE: These appear in no particular order, and some of them are not exactly AWP-related.

*  New issue of Phoebe is kicking some major butt with a sweet DC local scene section and rad woodcut cover art and inserts.

* Finally made friends with those fellow Chestertonian cats over at Idiot’s Books. Watch out world, that’s an AWP panel in the making.

* Joe Hall and Julie Carr represented 1913 in an awesome trade off reading inside of which Julie Carr made fun of Joe’s urban cowboy look. This was at Comet Ping Pong. It was a small press mash up with ACTION, OCTOPUS, LETTER MACHINE EDITIONS .

* My hotel-mates Joe Hall and Robb St. Lawrence are awesome. Just sayin’.

* I heart 1913 generally. It’s funny because I know the Dollers without knowing the Dollers — like, we’re facebook friends and Ben is now at Mason and we’ve been in circles of people talking together but I don’t know that they would remember my name and sometimes I think it’s a little late for that. The very cool thing is that they have taken a good selection of Mason people under their poetically kick ass wings (even if just to help work the 1913 collection at TABLE X). That is pretty awesome. You should donate to them to keep them alive.

* Ryan Call was not at AWP this year, but his much awaited short story collection The Weather Stations coming out from Caketrain, super thrilled beyond thrilled (also, what took so long?).

* The GMU faculty reading, moderated by Eric Pankey who was on too many panels so they wouldn’t let him read, but that didn’t stop him from speaking fondly of his colleagues and the crowd in front of him. Sally Keith, Jennifer Atkinson (who said Eric was her favorite poet and also got super sweet mushy great), Ben Doller, and Susan Tichy read beautifully. I couldn’t have imagined landing a better faculty than I did while I was at Mason… I am so grateful.

* ModCloth‘s launch party for The Written Wardrobe, and The Written Wardrobe, both very good things.

* Eating bad/good Mexican food with Keith Montesano was fun. He also spoke the next day at a pretty excellent panel on electronic media and poetry — getting the word out about First Book Interviews (in the tradition of Kate Greenstreet) — alongside Brian Brodeur (fellow Mason alum) who spoke about his How A Poem Happens blog. Makes me want to have a blog beyond this blog.

* The party via Brian Fitzpatrick and Dan Guttstein was fantastic (woot, Mason and DC poetry crews), got there at midnight, stayed until early/late.

* The Ashahta reading at Big Bear (man, I miss Big Bear and Cheryl’s Gone) was (as always) incredible with readings from Brian Teare, Susan Tichy, Dan Beachy-Quick, Julie Carr, Rusty Morrison, and super nervous but good stuff James Meetze who read from Dayglo.

* The research and poetry panel with rockstars Susan Howe, Thalia Field, C.S. Giscombe, Jonathan Skinner, moderated by Cole Swensen, pretty much rocked my world. Except when I learned that Skinner is working on an Olmsted project, when my heart sank a little (perhaps there is still time for me to scoop Skinner with my own Olmsted project).

* I almost literally ran into Mark Nowak, Lit House Director at Washington College, who (it turns out) had pneumonia at the time. He felt well enough to host an excellent talk from Jeff Biggers the next week on campus. Sadly I did not get to any of Mark’s talks or panels during AWP, but I’m sure they were fantastic.

* DC was… well, DC. Good to be back, in many ways.

Now please immediately go follow all of those links to amazing things.

More love than love,

M

National (adj): Of or relating to a nation or country, esp. as a whole; affecting or shared by a whole nation.

The National Day on Writing celebration at Washington College is coming up next Wednesday. Sponsored by the Writing Center, the Student Government Association, and Student publications, we’ll offer a day of celebratory writing.

WHAT? NATIONAL DAY ON WRITING (NDOW) (visit the NCTE site for details on the national initiative)
WHEN? WEDNESDAY, OCTOBER 20TH
WHERE? MILLER LIBRARY TERRACE
WHAT TIME? 10AM TO 4PM, WITH A READING FROM 1-2PM
WILL THERE BE FOOD? Yes! We’ll have coffee and cookies to warm you up!

 

HOW CAN WE GET INVOLVED?

CONTRIBUTE WRITING TO OUR LIVE GALLERY

We will be working to build a LIVING gallery on the library terrace. There will be clotheslines and poster presentation boards purely for the purpose of exhibiting student, staff, and faculty writing and written work you admire. We would love to have an exhibit that is truly representative of the kinds of writing we are all engaged with in our every day lives, from letters to lab reports, from poems to academic essays, from ethnographic case studies to email exchanges!

If you would like to reserve a space to exhibit your students’ work, please contact us in advance. Otherwise you and/or your students can stop by and contribute writing throughout the day. * Please keep contributions to 1 page each *

GIVE A READING OF WRITING THAT MATTERS TO YOU

You and/or your students are welcome to participate in a reading (from 1-2pm). Readers should be encouraged to bring 1-2 pages (roughly 2-3 minutes worth of material) to share. This can be anything from something you or your students have written to a piece of writing that is valuable to you.

Have your students written something they are particularly proud of? Is there a singular work that was been inspirational to you as you entered your scholarly field? Share it all!  Students, faculty, and staff are all welcomed to read.

Contact us in advance to get on the list or sign up on the day!

PARTICIPATE IN THE WRITING FAIR

Sponsored by the Writing Center and Student Publications (The Elm, Pegasus, Writer’s Union & The Colophon, and The Washington College Review), a variety of writing-related activities will be set up throughout the day.

Events include a yearbook photo caption contest, on-the-fly writing prompts, Washington College MAD LIBS, and writing POST-SECRET, and more! This is an opportunity for your students to have some fun with writing and also learn more about the student publications on campus.

There will also be contests and a raffle for gift certificate prizes!

DESIGN ANOTHER EVENT

You might also consider posting writing to the National Gallery of Writing.

Other participants are sending students to journal across campus, students are visiting local schools to give workshops, and I will even be tweeting/micro-blogging throughout the day (follow the writing center to see it unfold!)

If you decide on an activity of your own, let us know what you’re up to!

 

Festival (n): A time of festive celebration, a festal day. Also occasionally, a festive celebration, merry-making.

I love associating terms like “merry-making” to book festivals!

When I first moved to  Chestertown I was impressed by the vibrant literary community fostered both by the college and the local community — it’s incredible to me that a town with only around 5,000 residents has a book festival to call its own. The 2nd annual Chestertown Book Festival is this upcoming weekend, Oct 8th and 9th, in and around town in your expected book-ish spots.

There we will have much “merry-making” and book loving and listening… not to mention the Kent County Library book sale (exciting!). Check out the official blog for featured items and the schedule for a full list of events.

C-Town locals, see you there.

Making: a. The action of MAKE v.1 in various senses; production, creation, construction, preparation; institution, appointment; doing, performance (of a specified action); conversion into or causing to become something; etc. Also (occas.): the process of being made.

The Book Beasts and Books as Visual Language exhibit went off so well at the end of the year… but I wanted to bring some of the impressive work from the show out from hiding and into the world. All of the work challenges how we read a text, what a poem is, what a book is, and how these things are changed by the act of making. It is poem-thing at its finest.

AIR MAIL I, 2010

Emily Viggiano

Assemblage: wooden frame, magazines, junk mail, newspaper

9 x 9 x 1.5″

“Air Mail” is a collage composed of only materials that were delivered in the mail on the first day of spring.  It is an exploration flight, of the promises of the exotic and the realities of the mundane.

Ellie Smith-Tipton
D.C. VOTING RIGHTS, 2010
Poem Object, acrylic, cap guns, found text
22 x 28″
The measure for the District of Columbia to receive a vote in Congress was killed by a gun-rights amendment that would have removed the city’s ability to regulate gun control. The District still employs a shadow representative, which the poem object attempts to capture visually. The text comes from the Washington Post article “District Voting Rights Scuttled” printed on April 21, 2010. The object explores the multiple layers of representation.

Jen Daniels, 2010
PENELOPE READS THE THREADS
altered book, cotton embroidery floss, ink
2’11’’ x 1’4’’

Twenty pages, one for each year of Odysseus’s journey, of the Butcher & Lang translation (1965) of The Odyssey that reference the Penelope subplot were reassembled using cotton embroidery floss. The superimposed poem references Penelope’s strategy to avoid remarrying in Odysseus’s long absence: she said she must first weave a shroud for her father-in-law; she wove it during the day and unwove it at night.

CENTER PEACE, 2010

Assemblage: three-tiered white cake; pink, green, and white frosting; bride and groom cake toppers; pearl dust; skeleton figurine

6.5”x10” diameter

This cake examines the façade of modern weddings and the expectations of modern marriage. From certain perspectives, the cake appears to be a traditional wedding cake, but from other angles, it spells out a different message.

Written on the tiers are the following circular poems:

not tie the not tie the

sweet bridle sweet bridle

something owed something owed

knew something knew something

the bouquet is catching the bouquet is catching

Beast (n): 1) A living being, an animal. 2) fig. Applied to things; also in colloq. phr. a beast of a…

These books are beasts. These beasts are books.

Join us for the Book Beats and Book as Visual Language exhibit and reception on Mason’s campus. You can then maybe see the stuff I’ve been doing while I have not been blogging (tweaking the manuscript and visual poetics take up a lot of time!). Works include: small books (accordions, perfect bound, sewn, glued, signatures, hidden books, pop-outs, etc), erasure, visual poems, installations and poem objects, constraint and procedural work, and a myriad of examples in between.